Displacement: 27,200 tons and 34,881 tons full load. Sped 32.7 knots, range 15,000 nautical miles at 15 knots. Compliment: 2682 Armament: Twelve 5-inch, Thirty two 40mm Forty six 20mm and 91 aircraft 
USS Lexington by Stan Stokes.
The Lady Lex, (CV-2) as she was popularly called, was one of only a handful of carriers available when the U.S. was plunged into WW II. Although the Lex would be lost during the War, she played an important combat role early in the War. In Stans painting, of the 2nd USS Lexington (CV-16) F6F Hellcats pass over the Lady.
Quite a Pair by Stan Stokes. The US Navys first two effective aircraft carriers were the USS Lexington and the USS Saratoga; both converted from battle cruiser hulls in 1927. The Lexington, CV-2, was built in Quincy, Massachusetts, and commissioned in December of 1927. The Saratoga, CV-3, was built in Camden, New Jersey and commissioned in November of 1927. During fleet exercises in the early 1930s the capabilities and limitations of these two great ships had a huge impact on the evolution of carrier tactics. The speed of these big carriers allowed them to operate as an independent task force, and they would therefore need to carry an air group that would provide for a balance between offensive and defensive forces. The Lexington was in the Pacific during the attack on Pearl Harbor. She was involved in raids on Japanese strongholds in the southwestern Pacific in early 1942. She joined the Yorktown in the Battle of the Coral Sea. Her aircraft participated in attacks on the Japanese carriers Shoho, Shokaku, and Zuikaku. On May 8 the Lady Lex herself was the target of Japanese carrier aircraft. She took three bomb hits, and two torpedo hits. She was scuttled by her crew, becoming the first carrier lost by the US during the War. The Saratoga was in San Diego when the Pearl Harbor attack occurred. She served admirably in the Pacific sustaining repairable damage on several occasions. She took leave of the Pacific theater for a year to assist the British. The Big E met an ignominious demise as part of the Bikini Atoll atomic bomb tests. Showing her toughness she survived the first blast she was exposed to, but an underwater blast from only 500 yards away sunk the ship in August 1946. The Saratoga and the Lexington are depicted in Stan Stokes painting during maneuvers in the early 1930s. A Boeing FB fighter passes overhead. The Boeing Aircraft was founded in 1916 and initially built floatplanes. The companys first contract for a fighter/pursuit aircraft came in 1921 when it won the contract to build the Thomas-Morse designed MB-3 fighter. Boeings engineers began developing a fighter of their own design that would utilize a welded steel tube frame instead of the normal wooden frame. The Army tested the Model 15 prototype in 1923. Although they liked many of the features the Army opted to purchase the competing Curtiss design. They did order a couple of the Boeing planes for testing, and about a year later they placed an order for 25 PW-9s. The Navy also decided in 1924 to purchase the design, designating it as the FB-1. Improved variants were designated FB-2/3/4/5/6 etc. Boeing built a total of nearly 600 aircraft in this family, making it one of the most widely produced aircraft in the between Wars era. The FB-2/3/4 variants included modifications for carrier use and a more powerful 510-HP Packard-IA engine. With the additional power, a taller rudder assembly was deemed necessary to provide adequate flight stability. The Navy ordered twenty-seven FB-5s and began taking deliveries in 1927. The upper wing of the FB-5 variant was moved forward while the lower wing was moved backwards. In addition a slightly more powerful Packard engine was utilized.
Mission Beyond Darkness by Robert Taylor After a three day sea search for Admiral Ozawa's carrier fleet it was 3.30pm on June 20, 1944, when a spotter plane reported the enemy position to Admiral Mitscher's Task Force 58. Mitscher knew the risks of despatching a large force on such a long-range mission so late in the day, but he also knew his task was to get the carriers. By 4.30pm over 200 fighters, dive-bombers, and torpedo strike planes were in the air and heading for the target. In the short but intense battle that followed late in that day, the Japanese carrier Hiyo was sunk, four more Japanese carriers were damaged, two oilers sunk, the battleship Haruna hit, and some 40 enemy aircraft reported destroyed. Fierce, and seemingly successful though the encounter was, for most of the American aircrews the worst part of the mission was yet to come. As 209 aircraft turned and headed east into the growing dark, most of the pilots knew they had barely enough fuel to get back on board their carriers, some 270 miles distant. Many of the aircraft had received battle damage, and some of the crews were wounded.
It was 8pm and pitch dark as the first of the returning aircraft neared the carriers. Admiral Mitscher knew that without some form of guidance it was going to be all but impossible to recover his aircraft and, ignoring the submarine threat, boldly ordered the fleet to turn on lights. But the arriving Helldiver and Avenger pilots were all but out of fuel, and in the confusion of trying to pick out a carrier, find a landing slot, compounded by a number of deck crashes, some 70 planes went into the water that night. For Mitscher's aircrews, the long return to TF-58 went into history as the 'mission beyond darkness' In recreating the awesome scene, Robert Taylor has painted a masterpiece of naval aviation warfare in the Pacific. In the foreground the SB2C Helldiver of Lieutenant Ralph Yaussi, its tanks dry, has ditched near the carrier USS Lexington. As Yaussi and his gunner James Curry clamber out of the sinking aircraft, the Fletcher class destroyer USS Anthony, her 24 inch searchlight ablaze, is moving in to make the pick-up. The chaos and confusion of that infamous night during the Battle of the Philippine Sea, springs back to life in this stunning painting. With prints signed by four aircrew who survived Admiral Mitscher's historic operation, including Yaussi and Curry, Robert Taylor's Mission Beyond Darkness will become one of the great collector's prints from the era.